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คืนรัง คาราวาน หงา Nest, Night, sung by Nga (Sesame Seed) Caravan, also ขอมอบ ดอกไม้ ในสวน

With help from google, an old Caravan song I can now understand more completely. I have been listening to it for nearly 40 years and understanding more and more. Its time to put some work into it.
ด้วยความช่วยเหลือจาก google เพลงคาราวานเก่า ๆ ตอนนี้Louisสามารถเข้าใจได้อย่างสมบูรณ์มากขึ้น

คืนรัง คาราวาน หงา

โอ้ยอดรัก ฉันกลับมา
my dear I’m back
จากขอบฟ้า ที่ไกลแสนไกล
from the edge of the sky, the horizon, far far away
จากโคนรุ้ง ที่เนินไศล
from the bottom of the rainbow at the base of the hill
จากใบไม้ หลากสีสัน
from various colored leaves
ฉันเหนื่อย ฉันเพลีย ฉันหวัง
worn, tire, I hope
ฝากชีวิต ให้เธอเก็บไว้
to give her life to keep
ฝากดวงใจ ให้นอนแนบรัง
leave your heart to keep, sleep in place of comfort?(nest)
ฝากดวงตา และความมุ่งหวัง
leave your eyes and hopefulness
อย่าชิงชัง ฉันเลยยอดรัก
do not abhor me, I am so in love.
นานมาแล้ว เราจากกัน
long ago we parted
โอ้คืนวัน นั้นแสนหน่วงหนัก
that night was heavy and painful
ดั่งทุ่งแล้ง ที่ไรเพิงพัก
like a dry field where nothing rests
ดั่งภูสูง สูงสุดสอย
as the mountain the highest mountain
โอ้ยอดรัก ฉันกลับมา
oh my love I return
ดั่งชีวา ที่เคยล่องลอย
like a life afloat
มาบัดนี้ ที่เราเฝ้าคอย
Come, this is what we await
เจ้านกน้อย โผคืนสู่รัง
the little bird flies back to the nest
นานมาแล้ว เราจากกัน
We parted long ago
โอ้คืนวัน นั้นแสนหน่วงหนัก
Oh a night so heavy
ดั่งทุ่งแล้งที่ ไรเพิงพัก
like a dry field where nothing rests
ดั่งภูสูง สูงสุดสอย
as the highest mountain
โอ้ยอดรัก ฉันกลับมา
My love, I return
ดั่งชีวา ที่เคยล่องลอย
มาบัดนี้ ที่เราเฝ้าคอย
like a life afloat
เจ้านกน้อย โผคืนสู่รัง
a little bird flies back to the nest
ฉันเหนื่อย ฉันเพลีย ฉันหวัง
I am tired, I am weary, I hope

https://www.youtube.com/watch?v=ssOvl5WM_0s UNICEF Concert Album (I think)

https://www.youtube.com/watch?v=hCA2aaMHFOs หงา คาราวาน (Official Audio)

https://www.youtube.com/watch?v=G-48LT-swQE Thai PBS

https://www.youtube.com/watch?v=UXFdVi3Zvok Khon Dankwian (Lyrics)


https://www.youtube.com/watch?v=G-48LT-swQE Thai PBS
https://www.youtube.com/watch?v=JnX3weyNPr4 ปู พงษ์สิทธิ์ คัมภีร์

https://www.youtube.com/watch?v=EeRiI1E9GVU Orawee Sujjanon


https://www.youtube.com/watch?v=7VoLhFpUWfoSek Loso

 

Flowers from the Garden
ขอมอบ ดอกไม้ ในสวน
I offer, I ask  the flower from the garden
นี้เพื่อมวล ประชา
for the people, the publci
จะอยู่ แห่งไหน จะใกล้ จะไกล จนสุดขอบฟ้า
for you where you are foreverขอมอบ ความหวัง ดั่งดอกไม้ ผลิ
I offer, I ask, for you hope, as in a flower

สด ไสว งาม ตา
Fresh and bright, eyes of beauty
เป็นกำลังใจ ให้ คุณ
to give you encouragement, motivation
เป็นกำลังใจ ให้ เธอ
to give you dear motivation
เป็นสิ่งเสนอ ให้ มา
this is the offering given

ดวงตะวัน ทอ แสง
sunshine
มิถอยแรง อัปรา
there is a retreat
เป็น เปลวไฟที่ไหม้ นาน
Its a long burning flame
เป็น สายธารที่ชุ่ม ป่า เป็น แผ่นฟ้า ทาน ทน
t’s a stream that’s wet, a forest, it’s the sky, enduring

ดวงตะวัน ทอแสง
sunshine
มีถอยแรงอัปรา
there is a retreat(?)
เป็น เปลวไฟที่ไหม้ นาน
Its a long burning flame
เป็น สายธารที่ชุ่ม ป่า เป็น แผ่นฟ้า ทาน ทน
It’s a stream that’s wet, a forest, it’s the sky, enduring

ขอมอบ ดอกไม้ ในสวน
I offer, I ask  the flower from the garden
ให้หอมอบอวล สู่ ชน
to let its fragrance crash ????
จงสบ สิ่ง หวัง ให้สม ตั้งใจ
Something about hope conscientious?
ให้คลาย หมอง หม่น
calm down, chill?
ก้าว ต่อไป ตราบชีวิต สุด
move forward towards life’s end
ดุจ กระแส ชล
like the flow of fresh water (lakes, streams?)
เป็นกำลังใจ ให้ คุณ
I give you encouragement
เป็นกำลังใจ ให้ เธอI give you encouragement dear
เป็นสิ่งเสนอ ให้ คุณ
เป็นกำลังใจ ให้ คุณ
เป็นกำลังใจ ให้ เธอ
เป็นสิ่งเสนอ ให้ คุณ
เป็นกำลังใจ ให้ คุณ
เป็นกำลังใจ ให้ เธอ
เป็นสิ่งเสนอ ให้ คุณ
เป็นกำลังใจ ให้ คุณ
เป็นกำลังใจ ให้ เธอ
เป็นสิ่งเสนอ ให้ คุณ..

 

Collected notes.

“Wirasak Sunthawnnsi (taj. วีระศักดิ์ สุนทรศรี, ur. 24.07.1950 r. – Bangkok, Tajlandia – zm. 17.12.2021 r. – Prowincja Samut Prakan, Tajlandia) – tajski gitarzysta i wokalista. Jeden z założycieli rockowego zespołu Caravan, dziś określanego mianem kultowej kapeli rockowej Azji Południowo-Wschodniej. Caravan jest muzyczną wizytówką Tajlandii lat 70., 80. i 90. XX w. Poniżej grupa Caravan w nastrojowej balladzie „Khon Phu Khao”. Wirasak Sunthawnnsi (Thai: วีระศักดิ์ สุนทรศรี, born July 24, 1950 – Bangkok, Thailand – died December 17, 2021 – Samut Prakan Province, Thailand) – Thai ski guitarist and vocalist. One of the founders of the rock band Caravan, today known as the cult rock band of Southeast Asia. Caravan is the musical showcase of Thailand in the 1970s, 1980s and 1990s. Below, the group Caravan in the romantic ballad “Khon Phu Khao”.”https://zazyjkultury.pl/world-music-ostatnio-odeszli-od-nas-2022/

Clayers Like it Hot!

Clayers like it hot. We just need the heat to be inside the correct box.
Ice Point
This short essay touches on a lot of things, I will try and get it in a good linear organization.
Thermocouples work because metals exposed to differing temperatures in different places develop a voltage between those two places. Different metals produce differing voltages. So when you take say a chromel wire and an alumel wire and connect on end at the other end you will have a voltage dependent on the temperature at each end. These voltages are not linear. So if the meter end is at 70˚F and the connected end is at 170˚F you get a slightly different voltage than if cold end is at 75˚F and the hot end at 175˚F.
Further, if your two connections at your meter (you meter is almost certainly made with copper alloy wire) are at different temperatures you get two more thermocouples at the meter throwing off the measurement. Thermocouple wire, chosen to match the properties of the thermocouple usually connect the thermocouple to the meter (unless the thermocouple is directly connected).
The standard temperature for the end by the meter is 32˚F(0˚C), known in this context as the “ice point”. In order to get accurate readings you might have once placed this connection, watertight, in a bath of icewater. For years meters had electrical compensation for this temperature to make the meter read as if it were at zero. This was refered to as “ice point compensation”. Newer quality meters read the ambient temperature with a thermistor and compensate digitally. Cheaper meters assumed that they were at a particular temperature say 75˚F.
Old analog meters with a needle dealt with the non-linear aspect of thermocouples by printing a scale that was also not linear. Some parts of the scale had lines drawn closer together than other parts of the scale. It was a clever, inexpensive way to deal with the non-linearity.

Because of compensation, kiln control boards likely have on-board temperature sensing. Once they have that it is trivial to design a board to turn the kiln off if the ambient temperature is too high. In the US, having the means to turn off a malfunctioning kiln or kiln operating at an unsafe temperature is a liability issue. It also can vastly reduce kiln lifespan.

Derating of Electronics
Most electronics is designed to operate at or near room temperature. Cars use specific components that are vibration and heat resistant. The military and NASA have their own set of requirements. As you raise the ambient temperature the amount of current a device can take at one time and its lifespan falls. Even if a device is rated at say 120˚F it may fail sooner if operated or stored that hot. It also might need a larger heat sink (piece of aluminum designed to dissapate the heat).
Every electronic and electrical component in the kiln has a temperature rating. Just like elements fired at a higher temperature, power cords, relays, outlets, and control boards are going to fail sooner if operated at a high temperature. Circuit breakers trip sooner in hot weather too. Further as things get hotter, corrosion speeds up.
***Entropy discussion fits here.

I do not know exactly at what temperature Skutt Control Boards give a high ambient temperature warning, but I expect that the boards themselves are already above 100˚F. Heat gets to the control board a lot of ways, but there is insulation blocking much of the radiated heat, openings for convection, and little washer like things between the red box and kiln shell. Still the red box does heat up and consequently so does the control board. You can place a small fan to blow through the control box, something like an old computer fan, not a box fan. You want to avoid fans blowing on the kiln case.
Things that can be done to limit the heat in a kiln room. Open it up, windows, doors, fans in doors. Fire at night (make sure that you do not sleep in a house with a firing kiln). Start early in the morning. Fire faster so that less heat gets out of the kiln before you are done. Fire so that the hot part of the firing is in the evening if the outside temp is greater than 100 during the day.
My insulated studio gets warm in the winter with 1000 watts of heat. Your kiln say drawing 40 amps at 240 volts is just under 10,000 watts. This is a lot of heat and your air conditioner might not want to keep up with it. Plan ahead.
Please do not hang out in very hot kiln rooms and drink enough water. But make sure, especially in hot environments that you monitor your kiln.

Beat Frequency

I thought that I should write something on the development of my new piece, “Beat Frequency”, what its roots are, how it came into being.
I grew up in a musical family. We sang, played musical instruments, I played violin. In order to tune a violin to pitch with a pitch fork or some other stable frequency source you play the violin at the same time as the source. If you are off by 1hertz, so if your pitch fork is for A440 and your violin is at A441 then when the peak of the wave forms happens to hit your ear at the same time it is louder, and when one source is high and the other low, it is softer. This gives the sound a wah wah happening every second. As you tune closer in frequency the wahs happen less frequently.
My father, may his memory be a blessing, built harpsichords. He taught me to tune them. For a short while I could do a reasonable job with just a pitch fork. This is more difficult than it seems because a tempered scale where all the intervals seem reasonably in tune, requires that you actually tune intervals a little imperfectly. Its kind of like walking around a circle with a diameter of 4 feet one foot at a time. When you get to the end, you are going to be a little off, so if you stretch a bit a walk a hair over a foot at a time, no one is going to notice, and you will end in the right place.
I sang. My favorite music to sing was madrigals. They are sung by small groups of people. In my opinion they are best as entertainment for the singers. Singing facing each other in a circle is optimal. In order to do this well there needs to be give and take between the singers each allow each other openings when their singing line should be dominant. You hear this give and take in Jazz or other folk music too.
In my first Art History Class, an overview of Asian Art History, at The University of Michigan, taught by Walter Spink, we were taught about Taoism and its symbolism in Asian Art. The story associated with this was that a man, in tune with the Tao dropped his towel on the side of a river and walked upstream to a bridge where he stripped off his cloths and through himself into the raging torrent. He washed up by his towel where he dried himself off and then walked back to the bridge to get his cloths.  Rivers, and images of water, are often statements about the order, the nature of the universe, of ebb flow, give and take.

Most of us learned prime factoring as children. You take some number and find all the prime numbers that it can be divided by. For example, 165 can be divided by 3,5, and 11. If you have waves a 3,5, and 11 hertz, cycles per second, they will only all come together every 165 seconds. In tuning this would mean that the strong beats happen only every 165 seconds, but that there could be weak beats at multiples of 3×5 (15 hertz), 5X11 (55 hertz) and 3X11 (33 hertz). I use this phenomenon to program the lights so that their effects repeat very infrequently. My math teachers would be happy.
I took electronics in High School. Mostly I learned what was taught. When we got to AC I was very mystified. I really lacked the ability to concentrate enough to gather all that was necessary for understanding at once. I still struggle with this, but I do know what I should have learned back then. It gave me enough understanding to make moving forward with the electronics I need for these lights, and also for ham radio, not too much of a challenge.
I also took computer programming in High School. We did not learn that much, and similar to electronics when we got to assembly language I was mostly lost. But I produced some programs, learned some basics and it has been nice to have this skill. Back then, programs were put onto cards and encoded with little holes that were read by shining a light through them and detecting where on the cards the light past through them. The machines that made the holes were call “keypunch machines”. You hit a key and it punched hole[s for a letter or number]. In general, you put one command, or one program line, on a card.
Our teacher would on Fridays take our cards down to a local university and get them run on their computer. On Monday she would pick up the printouts, the only output from our work, and bring them too us. For all intents and purposes, there were no terminals with video screens for us to use. I did not see one until two years later when I attended a big university.
After leaving engineering school I started doing Ceramics. I was interested in pottery. I was not driven enough by pottery to stick with it, although I did pick up some skill. More than this specific media and product I became interested in designing within constraint. People think of constraints as limitations, but they create a liberation. Without constraint there is no way to start to do anything. This was covered in Robert Pirsig’s book, “Zen and the Art of Motorcycle Maintenance” under the heading of “Stuckness”. Unable to start an essay describing downtown Bozeman, a student thought that they had nothing to say. Pirsig told them to start at the top corner of a particular building. This allowed them to get started. Not only was this a constraint, but a particularly specific one.
I like wood fired ceramic surfaces and also its relative, vapor glazed surfaces. They are most often brown. A colleague who worked in cast iron thought that we should have an exhibition entitled “Brown”. There is an infinite amount of variety in color and room for expression and other content between two shades of brown. The limitation, is not a limitation. It starts a conversation.
My work, my art work, for the better part of 40 years, seemed to revolve around expressing the area of thought between words, pointing out the constraints that language imposes on how we think. What is Function? What is not? What is Functional Ceramics, what is not? What is Art? Where are the edges of these words and meanings? Do they exist? I am not sure that my study of Far Eastern Art, and the need to learn some about Taoism and Buddhism started this inquiry, but it informs it. The world defined by words is illusion. Words are an abstraction of reality as are photos, video and sound recordings.
Starting in the late 1990’s I started making videos about these ideas. The first was about Art History. The definition of Art used in the academy and particularly in Art History is narrow, limited, and ethnocentric. While what is show in Art History course has expanded, it is most still seen through a lens that remains unchanged. Movies continued. There were ones about what Ceramics is, what Art is, and why woodfiring is important. They were really about philosophy, but also about beauty and fun along with other things.
One aspect about many of them is that they had two audio and video tracks (or more). These tracks became dominnent and then stepped back in the same manner as the madrigal music I like, or like waves at different frequencies. They beat. There is and was crescendo, and decrescendo, give and take. I loved playing with the stereo. Two related discussions seemed to capture the thoughts of viewers.
Sometime in 2011 I bought an Arduino. This is a microcontroller development platform, a small programmable computer used for developing microcontrollers for embedding in simple devices like thermostats, drones, three d printers and my lights. I really had no idea what I was going to do with it, but a student asked me how to make a switch turn on a device with some specific timing and this device seemed the easiest way to do it. I got up to some basic speed with the device quickly. I had the right set of skills and experience. The platform, Arduino, was designed to allow, to create a space to learn, allowing non-technically trained microcontroller experts to develop applications.
Lady Ada and Adafruit
Adafruit, run by a fantastic innovator who goes by the name Lady Ada, sells parts and supplies, boards, and really education in part for people using Arduinos. She got started in college. Frustrated by having to wait for electronics to arrive, she stocked parts and sold them to other students out of her dorm room. Its a fantastic company. I do not think that I ever would have succeeded in making work with the Arduino without her and without companies like hers. She manages to have a manufacturing plant in New York City.
The digital revolution has brought an amazing plethora of opportunity. My early lights required that I build circuit boards by hand. My small hand skills are not great. I am not neat and clean in small detail. In the modern world I would be diagnosed with Dysgraphia, and likely some small motor skill deficit. I have managed to survive and flourish despite it. But, one day I just became ill over the idea of building another board to control my lights and said to myself, “whatever the cost, I am going to have these boards made for me”. So like any modern person, I went to Youtube to find out how to do this.
On a Monday Morning I watched 39 minutes of video instruction on using an open-source program for designing circuit boards for production by a factory in China. On Tuesday, I designed my board and was finished before noon. Wednesday morning I checked the design and uploaded it to the manufacturer and made my payment. A week later Wednesday at around 5 pm my 5 custom printed boards were delivered to my door. The total cost was about $13.50 including shipping. I should have done this sooner.
Those were just the boards, and I had to solder everything onto them. Now I am getting most of my parts place by robots. Doing this allows me to not pay several layers of markup on individual parts and is actually cheaper than assembling myself. Also many of the parts are too small for me to reliably solder to my boards with my current skill level and equipment.
The boards are essential screen printed. A block is printed onto both sides of a fiberglass board sandwiched between two thin layers of copper. The board is etched until the exposed copper is gone, leaving copper only where there is a block. Holes are drilled through the board. The board is then screened again with another block and then it is plated with solder including the inside of the holes. Both sides are printed with whatever text or marking you design into the board, the board is tested, cut out, and packed for shipping. When getting robotic assembly, this comes just before shipping.
Etching a circuit board uses the same process as etching a plate for an intaglio print. My boards I am having assembled are small. In this piece they are about 1/2 inch by 8 inches. I am using a 9″x 12″ one sided board that I designed (Maclovio Cantu taught me how to etch the board) that was etched in a bath of ferric chloride. This board is the base that everything else is mounted on. The traces of copper on this big board are decorative, but also constrained by needing to provide power to my small boards. There are six small boards used in this piece, three on the front, and three on back.
I am having some technical issue that I have to solve before I sell work like this. Likely this will involve some design constraints. It is easy for this to seem depressing, a hassle, etc. It is more productive to think of it as more opportunity. Dealing with the constraints causes growth.
Beat Frequency uses six of the twenty five boards I had printed and assembled early in December. I also let the smoke out of one. “Letting the smoke out” really means burning out the parts, overheating chips until they smoke. I hooked it up backwards. The 25 board cost about $130 dollars. They took a full day to get ready for production and are based on the work done on three other boards. The board before them was quite similar.
This board uses a microcontroller called an ATTiny85. They cost about $1.59 and are again available. I would prefer using the ATMega 328P-PU. I have some on order and expect to get them in May. I bought a stack of the ATTiny85’s at the beginning of the pandemic so I would have some. The 328’s are more powerful. One could run the hole project. Instead I am using 4. On the back the top and bottom board uses only one board and the right and left lights on the front are similarly linked.
This short essay [was posted] unedited. Nor did I go through and correct spelling, grammer [(left on purpose)] or other mistakes. I am going to post it before editing, and if needed will correct and encase the corrections inside [brackets]. I did write an outline.

Controlling Glaze Application Thickness on Porous Bisqueware.

Controlling Glaze Application Thickness on Porous Bisqueware.

Factors controlling the thickness of a glazecoat on bisque.

  1. Length of time in the glaze
  2. Density of the glaze suspension. That is how much water is there and how much suspended powder.
  3. (Apparent) porosity of the bisque, including how dry it is, how much pore space it has, how quick the pore space absorbs water, and how thick the bisque is.
  4. Rheologic properites.
    • a. flocculation
    • b. surface tension and viscosity
    • c. number of long molecules (might be covered in viscosity)
    • d. The amount of fine particles that can clog surface pores.

Length of time in the glaze

When you dip a piece in your glaze suspension the bisque ware starts to absorb water first making the glaze near the surface a more dense liquid and then turning it solid. So long as the bisque is absorbing water fast enough the glaze coat continues to thicken. As the absorption slows down there reaches a point where the coat of stiff glaze starts to get wetter again and slough off. The thicker the work is, the thicker the glaze can get and the faster it gets thick. In beginning thrown work the base of the pot is often thicker than the top making the glaze thicker near the bottom, just where running has the biggest likelihood of causing an issue.
Dipping the work in water before glazing decreases the availability of pore space for absorbing glaze. Right after you dip it the effect is greater. Because water without glaze absorbs quickly these have to be very fast dips. With work that is thicker near the bottom you can dip the bottom few inches in water before you glaze and if needed pour a little water on the inside bottom and pour it out. I do this with really runny ash glazes so that they will not run too thick on the inside.

How long a pot is in the glaze is perhaps the primary method of control of glaze coat thickness. If you imagine pushing a cylinder in for 5 seconds and then removing it for five seconds, the first part of the pot to enter the glaze will be in the glaze for ten sends and the last for less than a second. If you want an even coat of glaze, you will not have it. I use the words plunge, wait, pull. Don’t go so fast that you create a tidal wave or splash but do not take your time putting the pot in, or taking it out. After you pull it out you usually want to keep it in the same orientation so that you do not get drips down the side of the pot.
If you are doing two different glazes, the amount of time you wait between glazes controls the thickness of the overlap. The longer you wait, the drier the first glaze becomes and the more porousity it has avaialble to dry the second coat of glaze. Being ready with the secoond glaze saves loads of problems. As soon as the high sheen is gone it is usually safe to dip in the second glaze.

Density

More solids in the glaze means that the pot has to absorb less water to make a stiff coat. This speeds up how quickly a coat accumulates. Adding water can work to a point but it also increases the shrinkage of the coat as it dries. With too much water sharp edges of the clay become saturated and get little or no glaze. There are many ways to test the thickness of a glaze coat and to control it. The first measure of control is the density. How much does a given volume weigh? Adjusting that by adding water (it decreases the density of the glaze) is the first thing to do after checking if it is too dense.
Glazes should be stirred immediately before glazing. Some glaze mixtures are particulary sensitive to this. Further, since materials settle out at different rates an unstirred glaze is a different glaze at the top than the bottom. There is a particular watery look to the last part of a pot dipped into an unstirred glaze.

Rheology

The rheology of the glaze is the next issue to deal with. As you speed the absorption of the water needed to stiffen the coat and as you reduce the water needed to be absorbed you cut down on the space between the particles of glaze. At least this is the theory of Matt Katz, and it makes sense to me. This decreases the amount of air that will be trapped in the melted glaze coat and cut down on pinholes. Adding a deflocculant helps with this as it reduces the amount of water needed to make glaze fluid. Shorter dipping time also helps. Matt also favors low bisques because it increases the force and speed of water absorption decreasing the pore space in the glaze coat.
On the other hand flocculants seem to cut down the amount of thickness variation created by drips flowing off handles or bottoms of pots when they are pulled from the glaze slurry. Since you cannot deflocculate and flocculate at the same time, you have to do what is needed more depending on the glaze.

Fine Particles

Fine particles, especially bentonite, also help to keep drips from setting in thick streams. The fine clays clog the surface pores as the pot is held in the glaze. So once the glaze reaches a certain thickness the rate at which it absorbs water slows down decreasing the impact of drips as you are applying glaze. It is a good reason to add bentonite to most any glaze. Veegum does this too. Glazes with lots of ball clay do not need the addition.
Other additives such as gums, glycols, can slow absorption even further. Some of these materials affect the rheology in multiple ways. They can be deflocculants, or flocculants, they can affect the surface tension or viscosity so test them. Make sure that your kiln is vented regardless and avoid things that you should not have your hands in or are hazardous to burn.

Ways to check glaze thickness

  • Scratch through the applied glaze with a pin tool and look at the thickness of the coat.
  • Look at the glaze coat and see how it covers details,rounds off rims,  and look the thickness at the edge of the coat. This is harder than it seems and takes practice.
  • Make a thickness gauge out of a dial indicator. I am hesitant to give directions as I have not used one.
  • Make a thickness gauge out of a piece of metal with a series of teeth that will scratch into the glaze coat. I believe that I read about this in Cardew’s “Pioneer Pottery” but it could be Leach’s A Potter’s Book”

 

In order to do this you need some vocabulary, a mental scale of thicknesses. Although if you are using a dial indicator a numeric scale might make sense.

  • Light Wash. A thickness where you see more clay than glaze. The wash is only thick in recesses if anywhere at all. Likely it does not show at all on sharp edges.
  • Heavy Wash. The coat mostly covers the clay but you can see some clay showing through on flat areas of bisque. Usually it is thin on sharp edges.
  • Just Opaque. A little heavier than heavy wash, you cannot see the clay on flat areas at all although edges may show.
  • Photo Paper Thickness
  • Half the thickness of a dime
  • The thickness of a dime
  • Penny
  • Nickel (US or Canadian coin)

Boat Duck Noodle Soup

ก๋วยเตี๋ยวเรือ Boat Noodles

“Louis, What do you want for dinner?” This was the question my Thai friends, for all intents and purposes, family, asked me.  I requested Duck Soup with noodles. It was special, I was just getting to town. The only places they were sure had Duck soup were not open yet. Once I said duck soup it became the objective. Two hours later, no matter how much I said, “lets find something practical”, we were still looking for duck soup. My family there is 180 degrees out of phase with “practical”.

Soup with rice noodles ก๋วยเตี๋ยวเรือ kwuaytiyo rya  is a common street food throughout Southeast Asia. In Thailand it is often sold by vendors with pushcarts, and folding tables and chairs. I particularly like the duck variety although I often eat the pig variety or chicken. เรือ Rya means boat and these were traditionally served from boats on the canals and river in Krung Thep. The first part of the name appears to be Chinese or Malay, I am not sure.

It is hard to understand how important food is in Thailand. Even a rushed lunch location is an important decision. There is almost always a sauce, or three, available and often there is customization, do you want innards or not? Extra meat? The special version or regular? And then in places you can ask for all sorts of things. Some dishes always come with the same garni and/or condiments. A few dishes always come with clear broth.

But kwauytiyo is relatively simple except that I can never hang onto how to say it. You can order it without liquid, but it normally is with broth. You get to choose the kind of noodle in most places.  Normaly you would get rice noodles. But even these come in three plain varieties, wide, small, and round, There are flat 2 inch square noodles served in other dishes. Then there are bha mii, a wheat noodle with egg, woon sen, a bean thread, and mama noodles, the instant ramen noodles.

Where I stay in Thailand there is a noodle cart permanently parked on the sidewalk by the bridge over the highway. These bridges are called floating spans. Anyhow this cart is only open nights. I suspect that the owners use it to suppliment income. They only serve the pig variety. In my opinion it is pretty plain, but makes a great 10pm snack.

The meat is usually inexpensive cuts sliced thing. In first quality beef soup there is usually some tendon. It helps make a great broth. There are often “fish balls” or other protein concoctions, usually round. There can be liver. Since it is not broiled, this is something I usually do not have a big problem with. A friend commiserates with me about liver, he says he would rather eat the oil filter. I can relate. If the dish is served in a fish variety it is usually with luuk chin pla, Thai gefilte fish.

I cannot speak to to the seafood version of kwautiyo I never order it. I seem to be the poster child for food poisoning from clams. I stay away.

Namtok, meaning I believe “waterfall” at least literally refers to adding blood to the broth. This makes it much richer. It is not always available.  If you are European they might assume that you do not want it.

Once you get it on the table you have condiments to fix it up. There is Naam Pla Phrik or Fish sauce with peppers, usually there is some coarse grind of red pepper, sugar sometimes, salt, plain fish sauce and ground white pepper. Chopsticks and soupspoons are stored on the table in a long stainless box. After you add your customization you stir it by picking up some of the noodles breaking up the wad of them.

After a couple of hours of driving around we finally got to a chicken noodle place. It was on the route home which is good. They were great.

 

rice noodle  ก๋วยเตี๋ยว Ǩwyteī̌yw
boat เรือ Reụ̄x
duck เป็ด Pĕd
fish sauce with pepper น้ำปลาพริก N̂ảplā phrik
fish balls ลูกชิ้นปลา Lūkchîn plā
waterfall น้ำตก N̂ảtk

Red Curry Mildish

Basic Recipe from https://hot-thai-kitchen.com/red-curry-paste/ Hot Thai Kitchen, a great site for Thai recipes. They also have a nice Facebook page.

I wanted to turn down the heat, and still have it reddish.
Dry Ingredients ground in my coffee grinder (spinning blade type). I clean it out by grinding some dry rice twice.
1t. Salt
1/2 t black pepper
1t lemon zest
4 makrut Thai lime leaves
1 ancho pepper
3 dried chinese store peppers  They look like ripe serannos but dry. You can use Thai chillis or anything other than red sweet pepper. If I had ripe serranos or Thai chilis I would use them.
1T Korean pepper powder.
1t Dry cilantro seed

Wet ingredients, if not already chopped I turn them into 1/4 inch size pieces first then process them in a food processor until smooth. This takes opening it and mixing many times.
3T chopped lemongrass. I buy this chopped and frozen.
1t frozen or fesh Galangal (aka Laos or Ka)
1t fermented shrimp paste
1T vegetable oil (aids food processing)
2T Cilantro leaf
Add ground dry ingredients and process until well blended and smooth. Sometime I have to blend by hand.

Food Topics

Mae and the Green Snake with the Wood Tale.
Louis, Cashews, Urishol.
Jum, Naem,
UHT Milk
Miang Kam, https://en.wikipedia.org/wiki/Miang_kham

This topic, miang, along with phat pai kaprow, and Choke Chai probably should get attached to Jum.

The VFW in Korat and the Siri,
The Courtyard near Kun Ying Mo with the hot spicy food and the quiet.

HS9DEK Nam Voodoo, and Joy,
Maybe quotes from the journal and insidious intestinal irritants.

Som Tum,
The half life of Kai Yang at bus stations

How to avoid food poisoning

Ghost Gate Market, Talaat Nat today, and The Chicken Lady ,
The old woman and the roasted bananas , paper bags from used paper,

Ease of starting a business, Japan,

 

 

 

 

 

Uncle Bernie

 

Version 2 2024-06
Bernie

I woke up this morning. I became distraught somehow, maybe it was wifi withdrawl but I don’t think so, and it occurred to me that I should write about Uncle Bernie, while I could, while there are those younger than me that also remember him.

Bernard Katz, Uncle Bernie, could not be contained by these few names. He had pseudonyms. Likely there were many more than I can remember, but among them are Fatz Katz, used for his jazz, boogie woogie persona and music and El Gatos (a name I have also taken up, although mine is spelled L. Gatos), and Thumbs, for his imaginary second left thumb.

Uncle Bernie always valued my presence. It did not matter where or when, how busy he was, how many adults were near. At the very least I got a smile. Often when my parents failed to introduce me at his house to other guests, he took the time. While I miss others in my family who I have lost, I think that the space he left is the biggest and most profound.

I know too little of him, but it all comes rushing forth. Not a great editior I know that I must put these thoughts down in some sort of order or the editing will not take place. There is so much to say, likely I could write for days and work on it for month. I am going to leave out all the other great relatives I was lucky enough to grow up around. This includes my Aunt Grace who said I chased tennis balls like a gazelle, and my Aunt Charolette who seemed to understand who I was and always had a smile for me.

Bernard was the youngest of three children. The oldest was Bill, William. William was also the tallest. Bill was a biology teacher in the city of Detroit. But before that he was the eldest child of two immigrants. By the time he was in his teens his mother had become bedridden, I do not know the extent of this. As a child I was told that Bill raised my father (Joe) and Bernie. Most of what I have been told about Bernie’s life came from my parents.

There are always more resources for the eldest. You can be bitter about if you want, but it is the way of the world. The youngest tends to get the benefits of parental experience with children. That too, is the way of the world. Bill got piano lessons. He also became a cello player, something he carried into adulthood. I only remember hearing him play once. I remember it sounding good. I also remember him playing piano. But I have no memories of its sound. He could not possibly have been as fun to listen to as Bernie.

Bill had dry humor. Often when he was funny it was a play on words. He had fun with them. I remember in my early teens hours after he sad something finally getting the joke. I think he worked a lot of puns and other word humor into what he said and that for me this was always baffling. Unlike my brothers, and most the rest of the family I am not particularly gifted in English. I have to work at it in order to be able to write. People that pun all the time, sarcasm, other play with language easily gets by me. This is true at least to the standards of my family. His brother Bernie had what I call “wet humor”. Nothing was hidden. It could be crude but it was always right there. Between them in age, height and humor was my father.

Bill walked into the kitchen as a teen. Bernie, five years old or so was playing on the piano. Bill’s father ( my grandfather) said, “Bill, I thought that was you. Who is playing the piano?” Bill answered, “Bernie.” Bill’s father said, “Well we can’t afford lessons for him too. ” Already a prodigy, Bernie’s playing had been mistaken for Bill’s.

The next lesson, or at least at some subsequent lesson Bill took Bernie down the street to the piano teacher to show him off before his lesson. The teacher said, “He needs piano lessons.” Bill said, “We can’t afford them. ” The piano teacher said, “He’s free”. She stayed his teacher at least until he was 18.

Sometime around the time Bernie was 13 a friend of his father’s took him to a bar where there was a piano. Bernie played and earned tips. He went back frequently. His father was at first jealous that Bernie was earning as much money as he was. After a while he figured out that the family income had doubled. This was more important than his jealousy.

By his late teens Bernie had developed a problem with alcohol. He told me that it was affecting his playing. He gave it up. He kept playing in bars. I remember seeing him at “Scotch and Sirloin” a place near our house. Over his career he had several gigs where operatic singers would come and sing while he played. I did not like opera as child, but still liked to go and watch him play. Given a chance I always requested Kitten on the Keys by Zez Confrey. He seemed to enjoy playing it for me. He liked Zez Confrey. Zez’s music calling it “mad”.

When Bernie came over to our house he frequently brought food. He introduced us to “chocolate flavor licorice” also green licorice. He came over once with strings of dried Okra, dried on threads.He bought a can of French Truffles (the mushroom). My memory is that they tasted like dirt. He was not impressed either. My memories of this visit are very distinct. I am not sure that they are real. Some parts of the memory cannot be. He frequently came with Ice Cream. Often it was Neopolitan Flavor which had three stripes in the box, chocolate, strawberry and vanilla. On rare occasions it was Spumoni another layered ice cream but with candied fruit and pistacios. I expect it was expensive. He knew we kids liked it. He bought my brothers a subscription to “Mad Magazine”. I expect that I was not named because it had bits of adult humor disguised in it and I was the youngest. That did not keep me from reading it. That it was not also a present to me was not comfortable. But it was Bernie. With Bernie I knew. I was not deeply hurt by this.

Bernie would hold large parties for his friends. There is a video on youtube that has a sequence at its end from one of his parties. It features the legendary singing Allesandra Marc, https://www.youtube.com/watch?v=BmH_-fLX49E&list=PLetZ5oCPmuekqO3hhElbguorQmS9Qeh-n&index=3 . He would cook for days for some of these parties. Once I was taught to make espresso on his machine and given the job of doing it. Usually children were not invited to these parties. I don’t remember much. He cooked gourmet food for the parties. Once it was steak tartar. We were amazed. He made us souffle for lunch one. He also taught me to make Turkish Coffee. We only ate dinner at his house a few times. I remember his mad dining room chairs being uncomfortable. But you know, “Who cares?’. It was at Bernies house. His friends were boisterous, smart, fun, interesting people.

At Bernie’s funeral, Dorothy Paul, who was a few years older than me said, “Bernie was everyone’s uncle”. I have no doubt this was true. He was a fabulous uncle. There was enough uncle in him to share widely.

I have no idea how or when which of his abilities developed but Bernie devoured music and internalized its sounds, patterns and emotions. There is a music show I sometimes listen to where you are supposed to determine the what composer’s style a piece is written in, and what the original piece of music it is based on. With Bernie, this sort of thing would happen on the fly. You could ask him to play a cartoon’s theme music in various styles, the one I remember doing this with was The Jetson’s theme song. “Bernie, how would The Jetson’s theme sound through the ages?”. He might start in some sort of chant style, working through composers like William Byrd, Pergolesi, Batch Beethoven, Brahms, boogie woogie and ending in Rock and Roll. He had no respect for Rock and Roll.

There were few things in life as exciting as visit from Bernie. Its so few that I can think of nothing like him visiting. One of our parents would say, “Bernie is coming over”. If it was soon we would get into the front hall closet, grab my dad’s felt hats and put them on. We? Ralph, David z’l Louis, the proceeding generation of three boys. We would run around like maniacs when he came with the oversized hats pulled down as far as they could be and still have our eyes poking out. He had a peculiar knock. Three loud flat hand thunks, about a second and a half apart. We would open the door. His eyes would be closed and his hands out. He would enter the house as Frankenstein. I loved it. Mad!

In about 1962 Bernie bought a Zuckerman Harpsichord Kit. Bernie, unlike most other members of my family, he was not “handy”. He got frustrated with it and gave it to my father to build. By the time “The Adams Family”, a single page New Yorker Comic, became a TV show in 1974, we had a Zuckerman harpsichord in the living room. I liked hearing him invent and play variations on The Adam’s Family theme music, normally played on the harsichord, but I prefered his boogie woogie to anything else.

One of Bernies skills was sight reading. You could, as far as I know, put any piece of music in front of him and he could read it. When I was playing often in my teens I asked him how he did it. He essentially said “eye hand coordination” but then started telling me tricks using music theory terms I was unfamiliar with on how to predict what was going to happen. But his eyes were always several measures ahead, as was his ear. I was his page turner once. I was young, I could not follow the fast music. He could talk to me while he read music. “Louis, the page turn was 10 seconds ago, turn two pages. ” This was while he was improvising or playing from memory from his read through earlier in the day. Best I could tell he would read, hear in his head and his hands would play what he heard. His memory for music was fantastic.

My theory is that he had a severe case of ADHD. People that are firm in thought of personal responsibility and consequence tend not to like a diagnosis of ADHD. I am not a psychologist, or psychiatrist. I have been told that I am a psychoceramist, a crackpot, but that is a different story. But what happens with ADHD is that many things with low short term motivation fail to stay in your thoughts. Say you have to clean up after dinner. But what comes into your head is Rachmaninoff’s Piano Concerto No. 3 , or some other piano work. The signal saying “wash the dishes” then fails to stay active. The nuerotransmitters fail to carry it to the next neuron. It is gone. If the original motivation was stronger, more short term, maybe more fun, or the costs of not doing it bigger, maybe the strength of this signal in your brain would have had more power and it would have stayed up there, active. Instead it was lost in the sauce, gone.
On the other side of this, tasks with high motivation, intrinsic or extrinsic motivation, but strong, stay active. If you have ADHD and you are involved in a task, thinking about art, or say, Einstein thinking about relativity, you can do so with less distraction. Someone might start talking to you, and until they rattle your shoulder or shout, you don’t hear them. ADHD can in some cases and at sometimes, be thought of as hyper concentration disorder. It is a tool of many highly creative and productive individuals. It helps allow you to be completely focused on the task at hand. It keeps distractions from even being perceived.

Performers have to be able to be “in the moment” This is a space that keeps the distractions that are handled by executive function. You cannot perform worried about taxes or any other long term concern. You have to be in the moment and stay there. It is something not often talked about in music, at least not in my experience, but is in theater. In the visual arts, we don’t even grunt about it much. But we should. Theater instruction often brings up how you get ready to get on stage, to let the world go and bring the stage, the place in. Sometimes relaxation exercises are used. It seems actors often talk about their process. What they are doing is letting most of the concious controllable, logical, plodding part of their facilites go and get intuitive. Intuition is a very fast process. Logic is slow., too slow for on stage. It can be used in analysis, in preparation, but onstage things need to flow.

Its not like other fields do not need this state, that actually is called flow. They do. Some fields name it as do computer programmers. While you may need logic to lay out a great scheme for a complex programming task, it is intution that brings the method to it. It may also finish with logic, but middle is the creatiuve part where the code gets written. Intuition, like reading music, playing, runs in the intuitive part of the brain.Things happen too fast for anything else.The reason the task of playing complicated works, say even my bad Ragtime seems so amazing is that things happen faster than we can even dream of our concious brain working. It just does not have that kind of speed.

Visual artists often could use instruction on entering this state. Some stay up late at night. Executive control is dampened by fatigue. Some drink. Alcohol also dampens executive function. Some use other drugs. Better would be to find a routine that gets you into that state. For me, loud music often does, but so do noise cancelling head phones. Fatigue also use to work. In some ways it still does, but many of tasks need all my wits. Staying up late is no longer a good strategy for me.

The ability to keep long term needs, concerns, tasks, without short term motivations in our thoughts is at least part of what psychologists call “executive function”. If you divide what we think into two sorts of things, those that get our concious attention and those that happen “behind the curtain” as Malcolm Gladwell puts it, those we cannot directly delve into, much of what sight reading does, how it uses the brain happens without concious control. Our eye sees the music and our hands on the keys respond. This does not happen without practice. Done over and over again our brain decides when it sees an eighth note at middle C we should depress the key, deciding when and for how long to press and hold it. If we have to say to our self, “Aha! its a middle C, press it now, medium hardness and now hold it, hold it, we cannot even do that much thinking during the eighth note. We are lost. Sight reading has some conscious control, but that control is more like an orchestral conductor, “a little louder , faster, hold”, but even what this internal conductor says happens behind the curtain to. Our conscious control of it is less frequent and more generalized. You want to be a good musician? Practice Practice Practice you must pursue.

According to my father, Bernie would go to the Detroit Public Library and check out piano music, take it home, play through it, and then go get more. He had book cases of music when was a child. He had a “music room”. This was not the room he played in until later in his life. It was where his music was stored. He consumed new music like people breath. I believe that it was twice when I was growing up my parents got phone calls from him. “I am playing with the symphony tonight, there will be tickets waiting for you at 7:15 pm. We would get dressed up and go. Seats would usually be somewhere near the front and center.

What would have happened is that the scheduled pianist with the symphony could not make it. Bernie would get a call in the morning, “So and so’s plane could not take off due to snow. Can you play ‘yadaydadyada’ difficult piano music”. Bernie would respond, ” can you get me the sheet music? I will need my tux laundered, someone to go my Chinese restauarant and pick up my standard order and I will need a ride to the rehearsal at 6pm. “What ever the piece or peices were, he could play it. Where the scheduled pianist may have worked on it for a month or longer, he would have an afternoon. I doubt it was as good, maybe not even ever, but the show had to go on. Being a concert pianist was not where his talent or interest or ADHD layed. However, this talent did allow him to fill in at the last minute in a way very few people on the planet possibly could have.

I had music lessons kitty corner from that library, piano. The teacher was not right for me. To say I was not right for him, or maybe piano would also be accurate. Had he engaged my interest in learning ragtime it might have worked out better. But each week the library was there. When I ended up in Ceramics class in 11th grade, I started checking out books on ceramics from the library. Over the year I read one every few days, and scanned hundreds more. I should have seen what was happening, but I was still thinking “Architect”. When I got to the U of Michigan and transferred to the Art School I had read more books on Ceramics than anyone in my classes. I had a powerhouse of technical information, not really organized or that functional. That organization took longer. I transferred from Engineering school to The School of Art and Design, my second month in college. It was a good decision.

AS a child I loved visiting Bernies house. First, he always had some time for me. He would ask how I was doing, what I was doing. As I got older he would ask about music. He was not critical of my playing. He would ask me to play for him. Even at the time, I felt honored. He had a magnificent piano. It had belonged to the first conductor of The Detroit Symphony. I can still feel the keys, their weight, the action, and still have some sense of its sound.

But that was only part of what a visit was like. His house was, in his words, “Mad” as in wild and crazy. He lived in an old Duplex. It was in downtown Detroit near Bell Isle on East Grand Boulevard. All of the trim was hardwood as were the floors in his house. It had a split staircase with the stairs to the second floor splitting towards the front entrance to the house and into his kitchten. One wall had a large single piece sink with drainboards, maybe 7 or 8 feet long. He had an old gas stove. It was old enough at the time to look exotic to me. He had an espresso machine with a long hardwood handle and lots of chrome, with red enamel. I think that the handle was ebony. His kitchen always smell of exotic spices. There was no sign that said, “don’t leave your children here. We will feed them espresso and cookies.” Leave your children or not, they would get coffee and cookies. It might be Turkish coffee.

He had a wondrous beaded lamp that hung over his reading chair opposite the piano. It was cool. Like much of the rest of his house it could have been featured in “The Adams Family”. The scenes in the living room of The Adams Family could have been shot in Bernies living room. We used to be able to go into the attic. “Be careful up there, the floor is not in good shape. Don’t fall through”. This was not hyperbole. The roof was leaking or for a long time a window was broken. Up there he stored some treasures. I was heartbroken when he sold his old Edison Cylinder record player. I have his all mechanical Victrola. He also had a windup music box with a flat disk metal “record” and the funkiest wind up piano anyone has ever heard. Occasionally he had pump organs. These often ended up at our house where my father would restore them Ralph, my brother, still has the pump organ I first learned to play keyboard on. It was not my first piece, but nearly, I played William Byrde’s The Earl of Salsbury Pavana on it. It took me a month to learn.

In the 1990’s Bernie had a stroke and lost much of the use of his left hand. He could not walk. In rehab they told him that they were going to teach him to walk. He said, I need to learn to play again. They said,”no, we need to teach you to walk”. He told them to “F-off”. They cam back the next day with the same schtick. Bernie was desperate to learn to play again. I am sure he wanted to flip them the bird and say something clever, but instead he said,” I will do anything you want in the morning. In the afternoon we have to work on my piano playing”. They had reached agreement. Stories if you tell them often enough become replete with imagery. Memories you could not have witnessed develop images, sometimes with viewpoints that are too high, above the ceiling, in walls, and often in places you have never been. So take this with a grain of salt, except that the piano did happen, and a friend who is a tuner, is a true friend and great guy. He also brews a mean cup of coffee.

So, Bernie is doing everything they want in the morning. In the afternoon he has hand therapy. Slowly he is learning to walk, but he needs a real keyboard. To the therapist he says, “the recorded music to walk to is fine, but wouldn’t it be nice to do this to live music. We could use a piano player. The therapist humors him, thinking maybe, “the old man is delusional” and says, “Where would we put it?” . Bernie, “over there in the corner”. Therapist, “fine”. Bernie calls his therapist, ” Hey, I need a piano delivered to my rehab place so I can learn to play again.” Tuner, “Where do I bring it?” Bernie, “I’ll meet your at the loading dock and open the door. Hence, live music for therapy.

ADHD untreated and even if only partly dealt with with drugs and therapy is debilitating. Bernie could not take care of cars. Once after a wreck he could not get the hood open so he stopped checking the oil. I am sure he intended to get the hood fixed but it kept slipping his mind. The engine got destroyed. It was his last car. When Bernie was in the last few weeks of his life I was told to visit. I remember crying on the plane to Detroit. He was in a nursing home near my parents place. It was a place with loads of patients with dementia. He had a variety of problems. He had become diabetic, likely because he ignored advice. He had a hernia that could not be operated on because of diabetes. But what got him was late stage breast cancer. Likely he ignored the signs. But I do not know this, it just fits what I do know.

The last time I saw Bernie I visited him in the nursing home. I walked over from my parent’s house. He was perfectly there with his full self. He told a few funny stories. He said to me, “Louis, I am totally f—ed. I had passed a crappy piano in the dining hall on my way in. I asked if he wanted to go play it. I think he said “yes” only for me. I hope not. But afterwards I thought of him playing that crappy piano very said. What was not sad was that as he played the people in the wheel chairs who had been staring into space, seeming dead to the world, livened up, looked over and watched him and moved around some. One of the nurses, probably a gem of a human looked over at me and smiled. Bernie could not see any of this. After ten minutes he was tired, or sick of the piano. I really enjoyed hearing him play, but it was nothing like hearing him on a real instrument.

 

 

Version 1 (march 2021)
Uncle Bernie was everyone’s uncle. This was told to me by the child of one of his friends at his funeral service. It rang true. My friends called him “Uncle Bernie” my  parents, aunts and other uncles called him that, at least in our presence. It would not surprise me if they called him Uncle Bernie in his favorite restaurants.

Bernie was a pianist, but to call him that seems thin, it does not contain him. His house was “mad” a favorite word of his to describe things that are “over the top”. He had beaded lamp that could have been used to upscale the set for “The Adams Family”. He lived in a duplex across Jefferson from Bell Isle in Downtown Detroit for most of his adult life. The duplex was all hardwood trim and floors, the lighting insufficient. It was full of antiques. It had the smell of old hardwood, antiques, must, and cooking. There was an aroma of coffee that hung around and I believe I can still imagine the smell of his sink and dishwasher.

When I was young my brothers and I would go into the attic and play a cylidrical record player. It was scratchy and a lot of fun. He also had a Victrola. It was cool, but not like the Edison record player. For a while we were told to be careful in the attic.The floor was insecure. This was from roof leaks. Rent was inexpensive. There was not money for repairs unless he paid for them. At some point when my parents were helping to care for him my mother insisted on increasing the rent so that the owner would participate in upkeep.

He had a a canopy bed with curtains. It was short. It was a copy of a much older bed. It looked like it was from the 1500’s. His house was full of paintings and prints, tableware, pottery, and Mason Hamlin grand that was built special of Ossip Gabrolovich. It was a glorious piano. It had a bass that to my ear sounded both rich and brilliant. It was a dream to play. The action was smooth, and not has hard as Yamahas or even Steinways. My fingers could sail a bit more. It was the first piano that seemed to draw expression from my fingers without effort.

Bernie was generous. It was not just things or money. He wanted to hear me play each time I came over. He played for me and let me sing. But he also showed me how to do things when I was young. He had me make espresso at one of his parties and introduced me to Turkish Coffee.

There was nothing like Uncle Bernie coming to visit, nothing. He would pound on the door, Boom Boom Boom. The three of us Katz Boys would put on our father’s felt hats and run around like crazy as we fought over who would open the door! Bernie would be standing with his arms stretched out and wiggling slowly like Frankenstein and then shuffle in. He almost always had something special. These are the gifts that I remember. But you have to think back, this was in the 1960’s exotic food, was.

He came with Okra dried on thread. A few times he came with green or brown licorice. It was decades before I saw licorice in these colors again. He came for dinner and had a can of truffles (mushrooms), I was maybe 8 years old. I hated mushrooms but I tried these. I remember thinking, “These taste like dirt.” We probably ate the truffles with plastic silverware and on paper plates as they are hunted by pigs. In 2024 I had some truffle oil unknowingly. The food had an unusual taste, I thought it tasted of dirt. Then I found out,,, truffle oil.

He gave my mother a pound of paprika. My brothers once got a five year subscription to Mad Magazine. Spumoni Ice Cream was a frequent treat. Occasionally we ate at his house. Once he made us pizza. I do not remember what was on it, but it was unusual. For all I know it could have been a frog leg pizza. He often made souffles. Our house was full of paintings and antiques, mostly because of Bernie.

Bernie served us Steak Tartar. I wish I remembered more. He had great spices. He ate at fun restuarants. The owners knew him. He shopped at the large Eastern Market. His coffee was luscious. It was the first coffee I enjoyed drinking.

Bernie’s big brother Bill had piano lessons Bernie was about 5 or 6 years old.  Bill was in the kitchen talking with his father. “Bill, I thought that was you playing the piano. Who is it?” “Oh, that’s Bernie, he copies me.”. “You know Bill we cannot afford more piano lessons.”

Bill took Bernie down to his piano teacher to show him off. The piano teacher asked if he had had any lessons. Bill said “no”, we can’t afford them. The teacher said, “he is for free”.

When Bernie was 12 a friend of his father’s took Bernie to a bar to play. Bernie came home with more in tips than his father made in a day. The first day, dad, whose name I have, Louis,  was mad. After a week he got his head screwed on straight and realized that there was now more money.

About the time Bernie was 22 he recognized that he had a problem with alcohol and stopped drinking. It was affecting his ability to play.

Some people read music. Bernie devored it. He developed an incredible memory, and could fake anything, in any key. He could count seven against nine or any other odd combination of rythms with two hands.  A couple of times when I was growing up we got to go the Detroit Symphony and hear him play. The phone calls informing us went like this. I am playing with the symphony tonight at  7:30. Be there by seven and ask for my tickets at the box office.

At his end it would go like this. The phone would ring. “Bernie, the pianist got stuck in a snow storm, can you play XXXXXXXXXXX?. Bernie would say “yes”. Then he would say, “someone has to get my tux to the cleaners”, I need the music delivered, and dinner picked up at the Chinese Restauarant. It was near his house and had booths with walls and I think doors.  I at there a few times when I was young.

My parents were going on an international trip. They were working on a will in case something happened to them. The got the Katz brothers together and asked us, “If something happened to us which aunt or uncle would you like to live with. We had three choices. In unison we said, “UNCLE BERNIE”.

I tried out for Fiddler on the Roof. Bernie was the music director. I did not get selected. But during the tryouts he would accompany people. One person kept switching keys. After the second time Bernie would play ahead of the key switch modulating so that it sounded intentional.

Sometime, and I am not certain of the year, Bernie had a stroke and lost most of the function in his left hand. They told him that they would give him physical therapy. He was elated.
They came to take him and told him that they were going to teach him to walk. He said, I need to learn to use my hand. They said you have to learn to walk first. He told them to “xxxx off”.

They came back the next day and said that they would take him to learn to walk. He was prepared. He said, “I will do anything you want all morning long, anything”. In the afternoon you teach me to use my hand. ” They agreed.
After a few days of this he said, “You know, this is really boring around here, you need some music, What about a piano? They thought he was joking and said, where would we put a piano. He said “over there” and pointed. To get him off their case they said, “ok”.

Bernie could be a pain. But Bernie has friends. They are still his friends even though he is no longer with us. He called one of them up, met them at the back door in his wheel chair and suddenly, Physical Therapy had live music.

I was told to come into town. Bernie was dying. I talked with him for a while in a nursing home. It was a dismal place. I said, “Hey Bernie, do you want to play the piano in the cafeteria? ” He said , “yes”. It was a piece of junk. I move the bench and rolled up his wheel chair. There were about five people in the cafeteria just sitting in chairs staring off into space. He started to play. They started to act alive. Bernie played for about 15 minutes. I flew home. A few days later I flew back in for the funeral. Its been over 20 years. It is still a beautiful memory. I tear up.

There was no one in the world like Uncle Bernie. The lives of all that knew him are richer because of it.  He was a devoted musician, cook, friend, and an incredible uncle.

This video of am extravaganza at his house when Alessandra Mark was posted by one of his devoted friends. https://www.youtube.com/watch?v=BmH_-fLX49E

 

 

 

 

Glues

Today I needed to glue some PLA plastic from my 3D printer together. The 3D forums all talk about how this is difficult, and I have had troubles. Unless you have a lot of surface or no need for strenght, everything I had tried up until today did not work.
PVA, polyvinyl alcohol, white Elmers® glue, requires porousity. Epoxy works sort of if you sand first but still is not very stuck. Plumbing cement does not work.
Just yesterday for another application I bought some Duco Cement. It is very similar to a “clear acid bottle varnish” recipe from “A Handbook of Chemistry and Physics” 1947 which suggests “dissolving ordinary toothbrush handles in acetone”. The question is, “What was an ‘ordinary toothbrush handle’ made of?” The answer is nitrocellulose. It makes a great finish and is still used on guitars. It is also, with less acetone, the basic recipe for Duco. It seems, at least at this short try, to work really well.
Given this success I thought that I should also try “Juice”. Juice is a mix that is used to stick ABS plastic to its build surface when 3D extrusion or additive printing with ABS filament. It is ABS filament dissolved in acetone. I am using this mix in a thicker consistency than I use for juiceing my build surface.
Please, please, acetone is not innocuous, vent the fumes and minimize exposure, use appropriate protective gear. Both of these glues are flammable and have low flash points when wet. Nitrocellulose is highly flammable even when dry and not safe to store dry. I am not convinced that the recipe using nitrocellulose is safe. There are many varients of this plastic. My suggestion for this sort of glue is to just buy Duco or another brand. But the Juice recipe seems great, and if you have filament in colors, you can have glue in the same colors.Just follow the warning label on the acetone and practice good hygiene. I am not a safety expert.

PVA Glues
Modified PVA Glues
Hide Glues
Epoxy
Polyester Resin
Weldwood Plastic Resin type glues Calumite.
Wheat Paste
Sodium Silicate

 

 

Pastime

There are manythings that might get listed as the Thai national pastime. It could be chit-chat พูดคุย. It could be music. But to me, the quintessential Thai Pastime is eating. It is an activity central to everything. Eating in Thailand is an art form. How to eat? What to eat? Where to eat? Why eat? With whom? When to eat? The topic was brought to mind by a Facebook friend whom I have never had an eyeball with, never met face to face. She is quarantining in Bangkok, on day three of fourteen. She has been posting pictures of her food. They deliver it to her room. I have been looking at it and it has been making me sad. It seems inhuman. The first question that comes to mind”How can you serve that kind of food to a Thai person?” Then when you realize that they are doing so in Bangkok, City of Angles, the impregnable city of God Indra, city of the 9 gemsฯลฯ. How can it be true that you serve cold breaded cutlets of some sort with gloopy sauce from a bottle? The pictures she has been posting on Facebook have been provoking a Thai response from her family, homemade food delivered. Half way around the world I am relieved. How could this happen? I teach at a university. We often have Thai students. I want to meet them. I cannot tell a Thai person from someone from Cambodia or Vietnam. But I want to meet Thais. In general they are happy to meet me. I have friends of over ten years now that I met on campus. We have helped each other. The first Thai I met was while I was in school. For various reasons, I have no way to meet them. Sometimes I don’t know that there is a Thai student until I see their name during graduation. But about five years ago it dawned on me. I can tell Thai people or at least often can by how they eat. It is rare to see a Thai person in our cafeteria eating alone. You eat with a pyan เพื่อน , a companion. You share food. This might be dipping sauces, it might be the main dishes, it might be fruit. Food is generally eaten by pushing it onto a spoon with the back side of a fork. That is, unless its Chinese food, in which case its eaten with chopsticks. Exactly what food is on the spoon, each spoonful, is likely arranged. A small amount of sauce might have been gathered first, there might be a piece of a vegetable, there will likely be rice unless its a noodle dish. Spoonfuls are not too big. As this happens you see hands moving around the table, like a dance. It can be quite graceful. Things are shared. Foods have very specific sauces, often have vegetables that accompany them and side dishes. One of my favorite dishes, in some ways a simple, plain dish, is Kao Man Gai. Kao Man Gai is served with some cucumber slices. The rice is cooked in oil and broth of the chicken. The chicken is served on top of the rice. There is some cooked chicken blood on the side and a sauce that is very flavorful but usually not too spicey. This sauce is specific to Kao Man Gai. Cucumbers are a frequent side in street cuisine. I think that this is because they keep well all day. The soup that is served on the side is usually very mild thin broth. It reminds me of my mothers’s matzoh ball soup. The broth for Kao Man Gai has very little yichus. Yichus are the solids in soups, like vegetables or lentils. But Kao Man Gai broth does have Chinese winter melon or in the US sometimes cooked daikon radish or something mild like that. There are often fresh vegetables at the Thai table. These can be quite exotic tasting, bitter, sulphury, astringent -like or just crunchy long beans and cabbage. The taste “bitter” is important in Thailand. Bitter foods are often seen as good for the health, maybe like cod-liver oil in the West. I would not know. I have never had cod-liver oil. I have had many of the bitter vegetables in Thailand. They are “interesting” to eat. It would take something to get Gail to eat any more of these. And she is an adventurous eater. Some times of the day ask for certain foods. Where I lived, at Chez Umdang, late afternoon was time for Som Tum, Green Papaya Salad, the favored dish of Isaan, the Northeast region of Thailand. Who made the Som Tum varied. Usually it was one of the wonderful young women helping around the house, Gaw Wow named for the song of a bird, or Fon whose name means rain. These women were helpful and gratious in a way that cannot be overstated. They made awful days bearable, and had thier hands in making our good times in Dankwian magical. Green papaya salad is an exercise in balance of flavor, spicey, sour, fishy, garlic, and some textural variety. It is hard to get right, but Som Tum varies a lot, and there seemed to be people whose Som Tum was prized. But usually Som Tum was made by Gaw Wow or Fon. Green papaya is full of enzymes, and papaya juice is used as medicine in parts of the world and my thoughts about it are that its daily consumption might be a way to keep intestinal parasites under control. They are a problem in the Northeast, and Som Tum is endemic. Some som tum each day keeps the doctor away. If you are leaving me food to eat when I am buried or a ghost, skip the alcohol and leave me som tum. I will be grateful. I got picked up at the train station. It had been a long day and there was no food on the train. I was hot, tired, thirsty, and there were 4 adults and two children in the car. There was no air conditioning but fortunately it was in the cool part of the day, ตอนเย็น, interestingly named “cool time”. I was asked what I wanted to eat, I said “Duck Soup”. Its one of my favorite forms of street food. This question being asked of me was in some ways an honor, a choice like this having some real importance. I don’t think I would have picked up on this on my first trip. Duck soup. “Oh duck soup is very good” . “Jum, who makes the best duck soup?” . “Certainly its the vendor on the Dankwian Road”. “I like the stand in the old market”. “There is a new place by the Seven (11) by the mall, Its pretty good”.” Well the Vendor on the Dankwian Road does not open until 10pm. But its really good. Maybe we should see if he opened early”. “No its too far to turn back, lets try the place by Ghost Gate Market”. We turn and drive towards there. “Jum, do you really want to eat that soup? The flavor is weak” “Maybe there is some by the night market, Some vendors open early”. We drove around for two hours looking but not finding. My “lets eat something else” was not apparently acceptable.